Eastman Was Here
The year is 1973, and Alan Eastman, a public intellectual, accidental cultural critic, washed-up war journalist, husband, and philanderer; finds himself alone on the floor of his study in an existential crisis. His wife has taken their kids and left him to live with her mother in New Jersey, and his best work feels as though it is years behind him. In the depths of despair, he receives an unexpected phone call from his old rival dating back to his days at Harvard, offering him the chance to go to Vietnam to write the definitive account of the end of America's longest war. Seeing his opportunity to regain his wife’s love and admiration while reclaiming his former literary glory, he sets out for Vietnam. But instead of the return to form as a pioneering war correspondent that he had hoped for, he finds himself grappling with the same problems he thought he'd left back in New York.
Following his widely acclaimed debut, From the Memoirs of a Non-Enemy Combatant, Alex Gilvarry employs the same thoughtful, yet dark sense of humor in Eastman Was Here to capture one irredeemable man's search for meaning in the face of advancing age, fading love, and a rapidly-changing world.
From the Memoirs of A Non-Enemy Combatant
Boyet Hernandez is a small man with a big American dream when he arrives in New York in 2002, fresh out of fashion school in the Philippines. But on the brink of fame and fortune, there comes instead a knock on the door in the middle of the night: the flamboyant ex-Catholic is swept to America’s most notorious prison, administered a Qur’an and locked away indefinitely to discover his link to a terrorist plot.
Now, in his six-by-eight-foot cell, Boy prepares for the tribunal of his life with this intimate confession. From borrowed mattress to converted toothpick factory loft, from custom suit commissions to high-end retail, we are immersed in a wonderland of soirees, runways, and hipster romance in twenty-first-century Gotham. Boy is equally at home (if sometimes comically misinformed) invoking Dostoevsky and Diane von Furstenberg, the Marcos tyranny and Marc Jacobs, the vicissitudes of memory and the indignity of the walking sandwich board. But behind the scrim of his wit and chutzpah is his present nightmare of detainment in the sun-baked place he calls No Man’s Land. The more Boy’s faith in American justice is usurped by the Kafkaesque demands of his interrogator, the more ardently he clings to the chimerical hope and humanity of his adoptive country.
Funny, wise and beguiling, From the Memoirs of a Non-Enemy Combatant gives us a tale so eerily evocative that it, and its hero, are poised to become an indelible part of the reader’s imagination and the literature of our strange times.